K i m   M i s k o w i c z
300 generations Saving the Next to Last - excerpt
part 1 Concealed Ridge: Approach to the Gathering of Elephants Gape Tunnel Mound A Stone's Thrown Seven Falls Shade New Crater Settlements Drop-off XU (9 generations) at the Headlands Center for the Arts
XU Extract (4 generations) I'll Trade You Fear For A Knockout Deck View Found Ocean One of the Three Known Views Here a Little AND There a Little; Edited for Television Tunnel Coast Starlight Kindling A collaboration wit R.K. Howie A Home Leaving L.A. Movie CA/NV 6 CA/NV 4 CA/NV 2 CA/NV 1 NM7 NM6 NM5 NM4 NM3 NM2 NM1 Oxen in a Sandstorm Below Clouds Above NM & Above the Midwest Second Dig First Dig Rolled Over Hills Little Creek With Big Magic Cloudy Silver Two Cloudy Silver One Depths Sphere Petrified Meeting Many Clouds Over Peak Smoky It Went Away Under Water Mood Mining Minilands Wrinkly Dip Miniland Spring green Arm Rose Farm Sky Rock Miniland Lone Hill Miniland Dug out Miniland Orange Hills Storming Through Scotland Flower Drop Sometimes Gentle, Sometimes Awful Seven Falls Minute
"I think back to that moment when the Portals of the Past framed not a mansion, not a garden, but a whole smoldering terrain, more tragic but also more wide open than before or after, a long pause between two phases, as ruins often are."

- Rebecca Solnit, Storming the Gates of Paradise, Landscapes for Politics (Berkeley: University of California Press, 2007) p. 368.


Our exposure to so much information on a daily basis creates breaks in continuous thoughts similar to a building obstructing a view of a simple horizon. My paintings and films are inspired by the belief in therapeutic effects of viewing distant forms in the landscape. I use film and video as a multiplier and quick viewer of minutely varied compositions. This process simulates changing speeds at which one moves through physical and electronic environments. Exploring landscape in this manner allows me to question how it affects psychology, decisions and, more specifically, determining what of our personal, emotional and informational lives one preserves versus invalidates.

Kim Miskowicz